Satya 2 (2013) *HQ*

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‘Satya 2? is about a man who comes in 2013 to reinvent the underworld. Armed with the knowledge which he has acquired through research and study of mistakes made by all previous underworld dons, he starts a new underworld company which operates just like any corporate organization. He also develops ways to deal with the modern day policing methods. So ‘Satya 2? is about a man whose thinking starts where earlier dons’ thinking ended.

Unlike the gangster films of the 1980s and 1990s, which integrated gruesome violence in the narrative, SATYA-2 is more about cerebral power, with violence being an offshoot of the conspiracy that the entrepreneur adopts. The protagonist is suave this time — unlike the earlier Satya — and uses the mistakes [committed by the earlier dons] to stay a step ahead of lawbreakers and lawmakers. The cops, obviously, are caught completely off guard, since everyone is clueless of the new criminal on the horizon, his strategies and motives.

Like RGV’s previous endeavors, SATYA-2 is loaded with style and attitude. The plot too is shades different from the earlier films in this genre, with RGV moulding it in the thriller format and unleashing the screenplay at a feverish pace. The fact that SATYA-2 is not inspired by any of the gangster films attempted earlier keeps you on the edge and heightens the curiosity. But there are hiccups. The inclusion of songs is a blemish you just cannot disregard. Ideally, a film like SATYA-2 would’ve had a stronger impact if RGV would’ve avoided the songs. The songs only work as a speed breaker here. Even the one filmed in Kashmir, post Satya’s marriage, is an absolute no-no, despite some stunning visuals it has to offer. Similarly, the romantic track between Satya and his sweetheart is far from mesmerizing.

Additionally, the culmination to the story will meet with extreme reactions. It’s an open end and while some may like the thought [I think, it’s most appropriate], the conventional types may be discontented since RGV maintains the thought with which he commenced the film: Underworld never dies, it merely changes form.

Having said that, I’d like to add that SATYA-2 has several nail-biting episodes that keep you completely hooked. Also, to give the credit where it’s due, the writer does not suffer from SATYA hangover, which is a plus. The scenes are innovative, the screenplay is entrancing for most parts and the sequence of events keeps you drawn to the on-screen proceedings. The background score is effectual, while the cinematography captures the tension adroitly.

Puneet Singh Ratn brings RGV’s vision to life. He springs a surprise, essaying a complex part with certainty. Furthermore, he looks intense enough for the part. Anaika [as Chitra] exudes vulnerability, but the conviction is lacking in her performance. Mahesh Thakur is top notch. Aradhna [as Special] leaves an impact. Amitriyaan [as Naara] is expressive enough. He does very well.

Raj Premi [as RK] is wonderful, while Amal Sehrawat [portraying his son TK] stands out in the sequence when he persuades his father to defy Satya. Ashok Samarth [as Solomon] is first-rate. Kaushal Kapoor [as Purshottam] delivers a power-packed performance. Mrunal Jain is proficient in a brief role.

On the whole, SATYA-2 may not be RGV’s best, but there’s no denying that it has the right elements that make a quintessential gangster film. However, the KRRISH-3 wave coupled with the arrival of another Superhero film [THOR: THE DARK WORLD] may affect its business prospects.

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